The ambitious young artist conveyed a sense of arrested movement in this … Rembrandt: An Old Man in an Armchair, 17th century. Bust of an old man with a flowing beard, the head bowed forward, the left shoulder unshaded: 1630 B001: 2: Self portrait with curly hair and white collar: About 1630 B048: 1: The circumcision: small plate: About 1630 B151: 3: Man in a coat and fur cap leaning against a bank : About 1630 B160: 1: Old man in a long cloak sitting in an armchair: About 1630 B163: 1: Beggar leaning on a stick, facing left: About 1630 … In the process of changing the format of the painting the remaining part with the figures was slightly tilted to the left, The painting is covered by a disturbing layer of yellowed varnish, Partly unfinished, locally completed by later hand. The darker parts of the costume were originally lighter and more colourful, Strips of canvas of considerable width are missing on the side and top edges, The size of this painting has been altered several times, as has its format (from rectangular to oval to rectangular to oval again), The painting was probably cropped on all sides. In this painting, Rembrandt turned his attention to the subject of old age, a recurring theme in his work that was also the focus of a large number of self portraits. Follower of Rembrandt, Profile of an Old Man, oil on panel, 19.7 x 15.7 cm, formerly in the Mikhailov collection (sale, Drouot Montaigne, Paris, 31 May 1988, no. 1641 (?). “It is what Rembrandt … Portrait of an Old Man Rembrandt 1632. Berlin, Staatliche Museen zu Berlin, Gemäldegalerie. "[1], Halffiguur van een man met halsberg en gevederde baret, ca. was probably added later by another hand. Mit "Rembrandt van Rijn Study of an Old Man in Profile " aus der Galerie Rembrandt verleihen Sie Ihren Räumen eine ganz individuelle Note. The Old Man in Red is perhaps one of the best of these images of old men. The identity of the figure in the painting is, however, unknown. Rather, it appears to be an accessory belonging to the painter's studio that he used as … Aristotle with a Bust of Homer. The series of curved cracks in the panel and paintlayer are typical for paintings on mahogany panels, Possibly companion piece to 192. Frick Collection, New York Portrait of a Man at his Writing Desk: 1631: Oil on canvas: 104.5 x 92 cm. 1 The deep resonance it carries for the beholder arises from an extraordinary paradox: its size—it fits in the palm of one’s hand—belies its monumentality. Rembrandt or follower - Bearded Old Man with a Cap.jpg 1,016 × 1,369; 198 KB. Now, Rembrandt's painting of an old man has acquired a new significance for Czechs. The top right square piece of canvas above David was replaced by a fragment of a seventeenth-century painting and overpainted, Preparatory Oil Sketch for the Etched Portrait of Dr Ephraim Bueno, Rembrandt or workshop. Rembrandt Harmensz van Rijn - Man in Armour - Google Art … The canvas has been cropped on all sides, Possibly part of a tripartite series with 251 and 253, Rembrandt and pupil. The painting has suffered heavily from overcleaning and wear and is covered with a thick layer of yellowed varnish, A Presumed Sketch for the Male Sitter in the ‘Jewish Bride’, Portrait of a Man with a Magnifying Glass, possibly Pieter Haaringh, Portrait of a Woman with a Carnation, possibly Lysbet Jansdr Delft, Both hands have been (clumsily) overpainted by a later painter, Portrait of an Elderly Man Seated, possibly Pieter de la Tombe, Portrait of a Young Woman, possibly Magdalena van Loo, Companion piece to 317? Painting a Rembrandt. Marczell von Nemes of Budapest, Paris, June 17, 1913, No. Open Content images tend to be large in file-size. 95.5% 60.62K Views. Thus in 1957 a fine, signed Rembrandt, “Old Man in an Armchair” (1652), went on display at the National Gallery in London. 78.PB.246. 286 was painted on part of the trimmed piece, Part of a series with 289, 290 and 292–294, Part of a series with 289–291 and 293, 294, The Apostle James the Less, or Christ with a Staff, The paint surface is severely worn. From Art Institute of Chicago, Rembrandt van Rijn, Old Man with a Gold Chain (1631), Oil on panel, 83.1 × 75.7 cm View in Augmented Reality. Rembrandt transformed it into classical mountainous landscape around 1645, Grisaille serving as a design for a political print which was never realized, The painting originally was larger (c. 75 x 55 cm) and rectangular. Rembrandt Harmeszoon van Rijn (1606–1669) zählt zu den bedeutendsten Malern des Barock in Europa und den führenden Künstlern des „Goldenen Zeitalters“ der niederländischen Kunst (→ Rembrandt: Steckbrief fasst alle Daten zu Rembrandt van Rijn kompakt zusammen). In the possession of P. and D. Colnaghi and Obach, London. Title: An Old Man in … Rembrandt follower - Self-portrait - KMS1634.jpg 523 × 768; 55 KB. Old Man in Fur Coat, 1630 von van Rijn Rembrandt - Gemälde-Reproduktion und Kunstdruck auf Leinwand 9069 bei TOPofART.com In the possession of Julius Böhler, Munich. The pigments are the original used in the 17th century. Rembrandt depicted this model so frequently that many assumed he was the artist’s father, though no evidence for this claim exists. Old Man with a Red Cap. Jetzt günstig kaufen - auch auf Rechnung! Blisters and traces of other fire-damage are still visible along the upper edge and in the hands of the dissector, Dr Deyman, Portrait of a Gentleman with a Pair of Gloves, Companion piece to 248b. This work was probably larger on all sides, A Young Woman (Esther? In this video, the focus lies on the underpainting. Still later, the painting was so crudely treated that it is now a ruin, This page was last edited on 31 January 2021, at 06:32. In his great dramatic painting, Rembrandt tells a story from the Old Testament (Daniel 5: 1–5, 25–8). The skin tones change their colours with the underpainting and let it show through. Rembrandt Portraits Of Old Men images, similar and related articles aggregated throughout the Internet. 143.5 × 136.5 cm (56.4 × 53.7 in). Rembrandt - Old Man with a Tall, Fur-edged Cap.jpg 369 × 504; 174 KB. Signed on the left at foot with the monogram "R H L" ; canvas, 32 inches by 30 inches. ‘Old Man With a Beard’ by Rembrandt looks like the real thing, but critics thought it was probably the less-valuable work of one of the Old Master’s students In a private collection, Chicago. Rembrandt van Rijn Wer war Rembrandt? The Allentown Art Museum in Pennsylvania says the 17th-century "Portrait of a Young Woman," long considered the work of someone in Rembrandt's studio, is in fact by the Dutch master himself. Companion piece to 77a, Originally rectangular and larger on all sides, Half-figure of a Young Woman in Profile with a Fan, Knee-length Figure of a Man in an Oriental Dress (‘The Noble Slav’), A Scholar Near a Window (a study in ‘kamerlicht’), The figure of a woman on the stairs is scarcely visible; possibly a pentimento, Rembrandt and (perhaps) workshop. 78.PB.246. Seated with eyes nearly closed and hands clasped in prayer over a large book, the figure appears still and introspective. since 2005 (Louis Reijtenbagh), The hand and the booklet were added by another painter, Portraits of Jean Pellicorne and his Son Casper, Rembrandt and (almost entirely) workshop. Originally rectangular and possibly also larger below, The reconstruction of the stretcher on the basis of the X-ray shows just how much the painting was reduced in size. The rich costume that he is wearing gives no indication of the old man's occupation or social status. Rembrandt Harmensz. He loves to play and cuddle and go for car rides and walks. Companion piece to 118b, Portrait of a 41-year-old Man, possibly Pieter Sijen, Portrait of a 40-year-old Woman, possibly Marretje Cornelisdr van Grotewal, Self-portrait in a Cap and Fur-trimmed Cloak, The painting was originally probably wider than it is today, Rembrandt and workshop. Find more prominent pieces of portrait at Wikiart.org – best visual art database. An Old Man in Military Costume, about 1630–1631, Rembrandt Harmensz. 1631. Rembrandt Portrait of a 40-year-old Man.jpg 2,790 × 3,721; 1.07 MB. Details. Now, Rembrandt's painting of an old man has acquired a new significance for Czechs. Originaldatei ‎ (749 × 1.085 Pixel, Dateigröße: 286 KB, MIME-Typ: image/jpeg) Diese Datei und die Informationen Rembrandt or follower - Portrait of a Boy.jpg 1,638 × 1,929; 276 KB. 31 talking about this. van Rijn, Leiden 1606 - Amsterdam 1669 Porträt eines Greises mit goldener Kette - Portrait of an old man wearing a golden chain (1632) Museumslandschaft Hessen Kassel Rembrandt ist der bedeutendste und vielseitigste niederländischer Maler seiner Zeit, der … Another version is in the Museum of Fine Arts in Houston. In this painting, Rembrandt turned his attention to the subject of old age, a recurring theme in his work that was also the focus of a large number of self portraits. Along the bottom the painting was c. 18 cm larger. ‘Old Soldier’ was created in c.1630 by Rembrandt in Baroque style. The paint surface of the lower part of the remaining fragment suffered badly, such that it had to be repainted, Bust of a Bearded Old man in Fanciful Costume, On the basis of the pattern of cusping, it may be concluded that the painting was tilted to the left by later hands and cut to shape accordingly. M. P. W. Boulton, London, December 9, 1911, No. Rembrandt Old Bearded Man in a High Fur Cap, with Eyes Closed, c. 1635 is framed to museum-grade, conservation standards, presented in a complementary moulding and finished with linen-wrapped mats and optical grade Plexiglas. Companion piece to 133a. It is covered by a disturbing layer of yellowed varnish, The painting has been cropped both at top left and bottom. An old man in military costume by Rembrandt (Getty Center)‎ (3 F) An Old Woman Reading, Probably the Prophetess Hannah (Rijksmuseum) ‎ (4 F) The Anatomy Lesson of Dr. Nicolaes Tulp ‎ … Companion piece to 191a, Possibly companion piece to 193. I used HB graphite pencil. Weitere Auflösungen: 166 × 240 Pixel | 331 × 480 Pixel | 749 × 1.085 Pixel. Possibly part of a tripartite series with 251 and 252. Bust of a Bearded Old Man is Rembrandt’s smallest known painting, and the only grisaille by the artist in private hands. … The calm, simple pose of this man is in itself an indication of virtue. A delicate but superb 17th century/lifetime impression of Bartsch, Usticke and New Hollstein’s second … The Anatomy Lesson of Dr. Nicolaes Tulp This painting can be viewed at Art Institute of Chicago, Chicago. An Old Man in an Armchair: 1652: Oil on canvas: 111 x 88: National Gallery, London: 221: … The woman (Mary?) Read more. The man in the gold cloak, enormous turban and tiny crown is Belshazzar, King of Babylon. Underpainting Technique. Bild- o. Artikelnr: PWI91060. The following other wikis use this file: Usage on ca.wikipedia.org Usuària:Jane023/Llista d'obres de Rembrandt; Usage on cs.wikipedia.org Wikipedista:Wesalius/Seznam děl Rembrandta; Usage on … The Old Man in Red is perhaps one of the best of these images of old men. 33 x 28 cm wooden exclusive varnished frame 13 x 10 cm passepartout window glass An old man; bust in profile to right with wiry beard and hair, wearing a dark gown with a rough white collar; after Rembrandt. Portrait of an Old Man in Period Costume von Rembrandt van Rijn Barock. van Rijn (Dutch, 1606 - 1669) 65.7 × 51.8 cm (25 7/8 × 20 3/8 in.) Cropped on all four sides, Rembrandt and other hand(s). Private collection, Portrait of Nicolas van Bambeeck in a Picture Frame, Portrait of Agatha Bas in a Picture Frame, The costume and the hand are largely overpainted by a much later hand, Actually: ‘The painting in the great hall of the Kloveniers Doelen in which the young Lord of Purmerland [Frans Banninck Cocq] as Captain, gives the order to his Lieutenant, the Lord of Vlaerdingen [Willem van Ruytenburgh] to march off his Company of Citizens’, as the painting is called in the family album of Frans Banninck Cocq. The painting was cropped on all sides, Companion piece to 65a: G. van Honthorst, Portrait of Prince Frederik Hendrik of Orange, 1631. 1631, Bust of a Man Wearing a Gorget and Plumed Beret, Diana Bathing with her Nymphs with Actaeon and Callisto, Pendant portraits of Maerten Soolmans and Oopjen Coppit, The Archangel Raphael Leaving Tobias' Family, Ahasuerus and Haman at the Feast of Esther, Self-Portrait Wearing a White Feathered Bonnet, Self-Portrait in a Black Beret and Gold Chain, Self-Portrait with Beret and Turned-Up Collar, https://en.wikipedia.org/w/index.php?title=Old_Man_with_a_Gold_Chain&oldid=1006020350, Paintings of the Art Institute of Chicago, Wikipedia articles with Bildindex identifiers, Wikipedia articles with RKDID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 10 February 2021, at 16:37. 2019-05-23. Original etching printed in black ink on laid paper. Rembrandt depicted this model so frequently that many assumed he was the artist’s father, though no evidence for this claim exists. HARMEN GERRITSZ VAN RIJN. The painting (and its companion piece) seems to be a fragment of a full-size portrait, Portrait of a Lady with an Ostrich Feather Fan, Portrait of a Man, possibly Arnout Tholincx, Possibly part of a tripartite series with 252 and 253. His father had robbed the Temple of Jerusalem of all its sacred vessels. The Anatomy Lesson of Dr. Nicolaes Tulp The painting is now almost hidden behind a strongly discoloured or tinted layer of varnish under which there also seem to be extensive overpaintings, A strip of c. 10 cm is missing from the bottom, This painting remained unfinished in his studio after Rembrandt’s death. The painting suffered severely when it was transferred from panel to canvas in 1929 and also from overcleaning. This painting was documented by Hofstede de Groot as a portrait of Rembrandt's father in 1915, who wrote; "675. The painting is covered with a yellowed varnish, The painting is in a badly overcleaned and abraded condition, The canvas was reduced on the right. Old Man in a Gorget and Black Cap: 1631: Oil on panel: 83.1 x 75.7 cm. Pin. 52.4 × 37 cm (20.6 × 14.5 in). Her painted and engraved portraits tell the story of their marriage, from the joy of the early years to its dramatic … An ultramarine blue sky was discovered under a greyish overpainting and taken to be the original sky, An Old Woman Reading, probably the Prophetess Anna, Oil, transferred from panel to canvas and then stuck on to panel, The Artist in an Oriental Costume, with a Poodle at his Feet, Bust of an Old Man with a Cap and Gold Chain, Portrait of a Man at a Writing Desk, possibly Jacob Bruyningh, The painting originally seems to have been 9 cm taller, The painting must have been substantially reduced on the left, now showing only part of the original composition; the chair on the left is probably a later addition, apparently intended to balance the composition on this side when the canvas was reduced, Rembrandt and (mainly) workshop. File:Rembrandt Old Man in an Armchair, possibly a portrait of Jan Amos Comenius.jpg; Category:Old Man in an Armchair ("Jan Amos Comenius") by Rembrandt; File usage on other wikis. The J. Paul Getty Museum, 78.PB.246. Bust to the left, in a cloak with fur collar, anonymous historical person portrayed, old man, Rembrandt van Rijn (copy after), 1730 - 1774, panel, oil paint (paint), h 18.3 cm × w 14.5 cm d 3.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays … Rembrandt Harmenszoon van Rijn, Old Man with a Walking Stick Holland, (1645) auf Kunstleinwand Maße...,Öldruckbild von Rembrandt, Old Man with a Walking Stick in Solingen - Solingen There are copies : Exhibited at Düsseldorf, 1912, No. Rembrandt and his bride subsequently had … EAN-Code: 4050356522479. Judith?) Along the bottom a strip of c. 10 cm was lost at some stage and subsequently replaced by a reconstruction painted by the restorer William Suhr, With possible additions by another hand. Object Details. Sale. Find more prominent pieces of portrait at Wikiart.org – best visual art database. Pen and brown ink with brown and other washes and red and black chalk, Although executed with drawing materials on paper, in view of its presumed function this work is counted here among Rembrandt’s grisailles in preparation for an unfinished printed Passion series, Grisaille in preparation for an unfinished printed Passion series, Grisaille, paper on canvas; enlarged by another hand on a panel measuring 31.9 x 26.7 cm, Grisaille may be fragment of the planned Passion series, The painting is covered by a layer of yellowed varnish, Portrait of an 83-year Old Woman (possibly Aechje Claesdr, mother of Dirck Jansz Pesser), Portret of van Haesje Jacobsdr van Cleyburgh, Rembrandt and mainly workshop. New York, Metropolitan … 111 × 88 cm (43.7 × 34.6 in). Find more prominent pieces of portrait at Wikiart.org – best visual art database. Once the maximum size is reached, the framing option is automatically disabled. Companion piece to 63a. Here the craggy features of the old man, a model who appears frequently in Rembrandt’s early work, contrast poignantly with his worldly trappings: a gold chain, steel gorget, and plumed beret. For the finished painting, it plays an enormous roll. Old Man with a Gold Chain is a portrait by Rembrandt, painted around 1631 and now in the Art Institute of Chicago. The painting has suffered severely from overcleaning. In the right lower corner part of the manuscript, fingertips with pen and rim of the inkwell of a scribe, Cropped on all four sides; the upper left and right corners are later additions, Rembrandt and workshop. This is a drawing after a painting done by Rembrandt. For other catalogues raisonnés of Rembrandt, see the "Rembrandt" navigation box below. An Old Man in Military Costume. Sale. 60 (516,000 francs, S. de Ricci). Studio copy after a lost Circumcision (which was part of the Passion series for Frederik Hendrik), in or after 1646. Here the craggy features of the old man, a model who appears frequently in Rembrandt’s early work, contrast poignantly with his worldly trappings: a gold chain, steel gorget, and plumed beret. London, National Gallery. Companion piece to 133b. Object Details. 1.33K Likes. It belonged to a batch of equally large poplar panels, which makes it possible to speculate about the original size of the painting, Portrait of a Man Standing, possibly Andries de Graeff, The heavily damaged fingers were reconstructed during a restoration in the 1960s, Rembrandt and workshop? His name is unknown, but Rembrandt's interest in him was great: there is one more depiction of this man - An Old Man Sitting in an Armchair (National Gallery, London). In this painting, Rembrandt turned his attention to the subject of old age, a recurring theme in his work that was also the focus of a large number of self portraits. Oct 28, 2019 - Order an authentic 100% hand-painted oil painting reproduction of Bust of a Bearded Old Man, one portrait done by Rembrandt in 1630, corrrently … Bust of a Man Wearing a Gorget and Plumed Beret, Self-Portrait Study in the Mirror (the Human Skin), Judas Repentant, Returning the Pieces of Silver, Jeremiah Lamenting the Destruction of Jerusalem, Half-figure of a Man Wearing a Gorget and Plumed Hat, Portrait of a Man, probably a Member of the Van Beresteyn Family, Portrait of a Woman, probably a Member of the Van Beresteyn Family, Portrait of a 62-year-old Woman, possibly Aeltje Pietersdr Uylenburgh, Portrait of Jan Rijcksen and his Wife Griet Jans, Diana Bathing with her Nymphs, with the Stories of Actaeon and Callisto, Self-portrait wearing a white feathered bonnet, Self-portrait as the Prodigal Son in the Tavern, The Parable of the Labourers in the Vineyard, Girl in Fanciful Costume in a Picture Frame, The Company of Captain Frans Banning Cocq and Lieutenant Willem van Ruytenburch (Night Watch), Joseph's Dream in the Stable at Bethlehem, The So-called Large Vienna Self-portrait with Beret, Moses Smashes the Stone Tablets with the Covenant, Self Portrait with Beret and Turned-Up Collar, Musée départemental d'Art ancien et contemporain, The Conspiracy of the Batavians under Claudius Civilis, Portrait of the Syndics of the Amsterdam Clothmakers’ Guild, known as the ‘Staalmeesters’, Self-portrait as the Laughing Zeuxis while Painting an Old Woman, ‘Portrait Historié’ of a Couple as Isaac and Rebecca (known as ‘The Jewish Bride’), "The Louvre Abu Dhabi acquired a $12 million Rembrandt painting", Diana Bathing with her Nymphs with Actaeon and Callisto, Pendant portraits of Maerten Soolmans and Oopjen Coppit, The Archangel Raphael Leaving Tobias' Family, Ahasuerus and Haman at the Feast of Esther, Self-Portrait Wearing a White Feathered Bonnet, Self-Portrait in a Black Beret and Gold Chain, Self-Portrait with Beret and Turned-Up Collar, Galleria Nazionale di Capodimonte, Naples, Still life paintings from the Netherlands, 1550-1720, https://en.wikipedia.org/w/index.php?title=List_of_paintings_by_Rembrandt&oldid=1003899464, Creative Commons Attribution-ShareAlike License, The abraded face of Philip has been unsatisfactorily retouched, There are darkened overpaintings on both sides of the seams of the panel, Mary’s cloak has been overpainted by another hand later; it was probably a lighter blue-grey in the original, An Old Man Asleep by the Fire (perhaps typifying ‘Sloth’), Two Old Men Disputing (St. Peter and St. Paul), The painting is covered with a thick layer of yellowed varnish, The painting is covered by a layer of yellowed varnish and shows darkened retouches, Self-portrait with Beret and Gathered Shirt (‘stilus mediocris’), Bust of an Old Woman at Prayer (‘stilus gravis’), Reduced to an oval form, subsequently made into a rectangle by additions, The painting is poorly preserved in the thinner areas, The painting has been cropped on all sides, The panel, which was originally taller, must have been cropped at top and bottom. He has a large book on his lap, possibly the Bible.It’s possible to see some writing and a small drawing that could be a decorated capital letter, very common for books and Bibles at the time. To avoid potential data charges from your carrier, we recommend making sure your device is connected to a Wi-Fi network before downloading. Rembrandt Van Rijn; Old Man Praying; Colors used: Frame your art: VIDEO: All you need to know about frames. Gemafreie Musik. Das Kunstwerk Rembrandt / Head of an old man - Rembrandt van Rijn liefern wir als Kunstdruck auf Leinwand, Poster, Dibondbild oder auf edelstem Büttenpapier. The man in the gold cloak, enormous turban and tiny crown is Belshazzar, King of Babylon. The painting is covered by a layer of yellowed varnish, Part of the Passion series for Frederik Hendrik. Rembrandt follower - Old Man in Fanciful Costume Holding a Stick - E1924-3-89-nyd.jpg 1,281 × 1,500; 294 KB. Die Farbdarstellung und der sichtbare Bild-Ausschnitt sind von der Farbkonfiguration Ihres Bildschirms und der gewünschten Bildgröße abhängig und können leicht vom gezeigten Beispiel differieren. A vertical strip, wide c. 20 cm is missing to the left of David’s harp. In his great dramatic painting, Rembrandt tells a story from the Old Testament (Daniel 5: 1–5, 25–8). An original Rembrandt Van Rijn etching. For the finished painting, it plays an enormous roll. According to Ernst van de Wetering, a Dutch art specialist, the anonymous old man in the painting is almost certainly one of the most prominent figures in Czech history - the teacher of nations Jan Amos Comenius. The identity of the figure in the painting is, however, unknown. 1653. oil on canvas. In the possession of Julius Böhler, Munich. It is covered by a disturbing layer of yellowed varnish, The painting was larger at both top and bottom. The painting appeared on the London art market in 1905 as a Rembrandt. The personal religiosity of An Elderly Man in Prayer, formerly attributed to Rembrandt, bears resemblance to such late works. at her Toilet, Part of the Passion series for Frederik Hendrik, Made in preparation for an unfinished printed Passion series, Grisaille, canvas (enlarged) stuck on panel, Drawing on paper. Companion piece to 132b, Rembrandt and workshop. Rembrandt Van Rijn Old Man with a Flowing Beard: Bust etching 1631 × ) Contact us about this artwork... Share. colour; height, six pouces by five wide.’ But it was rejected in 1982 by the leading authorities on Rembrandt’s work, ‘the Rembrandt Research Project’, who believed it to be the best of a number of copies of a lost original.

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